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About the space:
We are housed in a 3500 sq.ft .facility with state of the art equipment and an acclaimed team of audio engineers. Our space facilitates 4 studios, Studio A with a 700 sq.ft. live room capable of recording up to 25 musicians. houses some of the best in class microphones and preamps with and AVID HD I/O and outboard gear like the classic 1176 and Manley Vari-Mu.
This facility is used mostly for live recording and mix sessions.
Studio B which is our smaller facility usually handles vocal dub, ADR, Foley, and small scale productions.
Studio C is an artist/programming room designed keeping the needs of producers and programmers in mind.
Studio D our latest addition is a space designed for the students of our Audio Academy where they get trained in our facility in the art of producing a record.
What are some of the studio essentials we would recommend?
Apart from people, it is also important to have a well-built, flat response monitoring environment with good AD/DA and preamps.
What equipment do you use?
Preamps: Neve 511, UAD 4710d; SSL SiX; Apollo 8p
Compressors: Manley Vari-MU; WA76; SSL Six
EQ: Wes Audio Hyperion
Microphones: A whole bunch of 28 odd microphones ranging from C414, KM184 to U87 and GAP R1 Active.
Pieces of gear we cannot live without
If we had to describe our workday
Philosophy or reasoning behind gear choices
Since our studio works with varied engineers and producers it does get quite hard to find the gear that appeals to everyone. We have a very simple process for bringing in new gear into the studio, we test it meticulously in recording scenarios and have an internal discussion with our engineers if it really adds value and fits for the kind of work the studio brings in.